Glimpses of Droom #2

Conjuring - smallFootnote #12

“His alleged fetish for eyes, it is important to note, is said to have been more intellectual and spiritual than sexual in nature. Be that as it may, according to several anonymous correspondents, it did indeed manifest in the practice of oculolinctus, though in a context so reverent and ritualized as to pass for an act of sacrament. Various texts contained within The Untold Tales of Ozman Droom (“Eye Candy,” “I of the Beholder,” “Eyes and Gnosis,” “If Thine Eye Be Single,” “Liber I,” etc.)—although not offered as confirmation of these assertions—should nevertheless prove of considerable interest to readers of a speculative bent.”—The Untold Tales of Ozman Droom

The Untold Tales of Ozman Droom

Behold! The Untold Tales of Ozman Droom“Spriggs evokes terror and awe . . . in this dazzling anti-story, a love letter to the weird.” —Publishers Weekly

“A hard-to-describe yet highly entertaining compilation, The Untold Tales of Ozman Droom is an experience weird fiction fans should not pass up.”—Rue Morgue

“Fanciful, sly, and always brilliant, author Robin Spriggs evokes a splendid world of eccentric darkness that is his and his alone.”—Tomb of Dark Delights

Glimpses of Droom #1

Ozman Droom in

Ozman Droom in “Ozmandroomunculus”

“It turns Its eye, Its single eye, from dream to dream to dream, and spies in each a dream undreamt of tales as yet untold, of Monstrous Things that cannot be yet come to be withal, upon a whirling sphere of blue (inward grown and lost to time), where Then and Now, and Here and There, and You and It . . . are One.”—The Untold Tales of Ozman Droom

“Ozmandroomunculus”

Ozmandroomunculus - Poster“By no means,” said a certain gentleman diabolist, “is the film an adaptation of the book whose title it dimly recalls, but rather what amounts to something of a cinematic appendage—or tentacle, if you will—unfurled from the innermost fane of the text in question to probe the psychosphere for minds more attuned to images and music than to words, therein to proclaim itself ‘an artist’s meditation on the nature of creativity,’ or, even more pretentiously (though no less sincerely), ‘a performative depiction of the mysterious process whereby all works of the imagination conjure themselves into being.’”

 

  • Written and Directed by Robin Spriggs
  • Photographed and Edited by Kelly O’Neal
  • Scored and Soundscaped by Klimchak
  • Introducing Ada le Fay as “Scucca”
  • Synopsis: A gentleman diabolist and his hirsute familiar perform an unspeakable rite.
  • Tagline: Stranger than the sum of its parts.
  • Running Time: 7 minutes
  • Production Company: Mean Mama Dog
  • Status: Post-production